BIO
RESIDENCE : Ketchum, Idaho
EDUCATION : Yale University, Art Students’ League, New York; Turley Forge School of Blacksmithing; additional studies at Denver University (painting), Colorado College (sculpture and printmaking); and special studies with Bruno Lucchesi (sculpture), Tom Buechner (painting) and Nahum Hersom (repousse).
SELECTED EXHIBITIONS (juried or invitational) and selected gallery shows
Denver Art Museum
Colorado Springs Fine Arts Center
Sangre de Christo Fine Arts Center
Las Vegas Art Museum*
Aspen Institute –Exhibition for Ten Colorado Artists
Springfield Art Museum
“Mainstreams, USA” Marietta, Ohio
Ball State University
PBS Auctions (fund raising)
Audubon Society
The Nature Conservancy
Scottsdale Artists’ School, “Best and Brightest Show”
Audubon Artists, New York City exhibition, Salmagundi Club (2003)
Broschofsky Gallery, Ketchum, Idaho
Exhibition of North American Sporting Art, New York City
Elaine Horwitch Galleries, Scottsdale, Az.
Sportsman’s Edge, New York
Handsel Gallery, Santa Fe, NM
Sullivan-Bisenius, Denver
Various other gallery exhibitions in Colorado, Texas, Arizona, Idaho, Oregon, New York, Washington (state).
SOLO EXHIBITIONS
Colorado Springs Fine Arts Center
Owen Gallery, Denver
Gryphon Gallery, Denver
Abercrombie and Fitch, New York (1977)
Sullivan-Bisenius, Denver (1985)
PUBLIC WORKS
Hess/Idaho Whitewater Memorial, Ketchum, Idaho
US Dept. of Interior: Life-size diorama of North American Indians (with Ken Bunn, Denver sculptor.)
ATP tour trophy (professional tennis tour)
Hobey Baker, NHL Hockey Hall of Fame
MISC: Artist-in-Residence, University of Southern Colorado; also taught at Rocky Mountain School of Art and Kent-Denver. Various newspaper and magazine articles, including Southwest Art and The Anvil’s Ring.
AWARD: Meritorious Award, Vietnam Memorial, Washington, D.C
Contact: Bruce Smith. Ketchum, Idaho. Email: bruce@gravityironworks.com
ARTIST STATEMENT
The untouched canvas becomes a window into the imagination. What you see first in a landscape or portrait then transforms itself into possibilities, a push and pull between what you first see and what first inspired you to pick up a brush. Somewhere in between, sometimes closer to what you see objectively and sometimes closer to the emotion the object awakens, you begin to paint.
“The aim of art is to represent not the outward appearance of things, but their inward significance.”
Aristotle c. 350 BC